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Posts archive for: May, 2006
  • Blond joke

    A Blond Bird rings the fire brigade.

    B.B. Help! My house is on fire!

    Fire Brigade Okay lady. How do we get there?

    B.B. Helloooo - in the feckin' big red truck... Duh!

  • Sinner, Saint or King?

    There’s a little village quite close to me that goes by the name of Mathern. Central to the village is its church, Saint Tewdric’s, but who was Tewdric and how did Mathern come by its name?

    St Tewdrics Church, Mathern

    Saint Tewdric's, Mathern

    Depending upon where you look and who you read, Tewdric (Tewdrig or Theodoric) was either a fifth century prince from the kingdom of Glamorgan (Morganwg), a sinner turned hermit who hid himself away at Tintern to worship his God, or a mighty king of Gwent. I’m inclined to believe Tewdric was a little of all three.

    Prince Tewdrig of Morganwg, son of King Ceithfalt, is mentioned in the Book of Llan Dav, reproduced from the twelfth century Gwysaney Manuscript in English by Davies, Evans, and Rhys in 1893, which tells us Tewdric resigned his position in favour of his son Meurig in order to become a hermit at Tintern in the latter years of his life.

    There have been settlements at Tintern since very ancient times and the site of the eleventh century Cistercian abbey had been regarded by locals as a place of power and a holy place since the Bronze Age or before. If Tewdrig turned to the church, as seems likely, to atone for his misdemeanours then discarding his thrown and moving to Tintern to become a hermit seems equally likely.

    In the sixth century, the Saxons invaded Wales under Ceolwulf crossing the River Severn and pressing hard upon Meurig of Morganwg. Tewdric is said to have left his solitude at Tintern to lead his former people and followers as the King of Gwent, engaged Ceolwulf in battle and gained a magnificent victory over the invading Saxons.

    Tewdric was mortally wounded by a lance during the battle at a site still known today as Pont y Saison (Bridge of the Saxons) and carried to a nearby well, where his wounds were bathed. The well, Tewdric’s Well in Mathern, can still be seen and one look at the water makes you wonder whether bathing in it was such a brilliant idea!

    Tewdric succumbed to his wounds and was buried at Mathern. A church, Saint Tewdric’s, was built on the site of his grave and the settlement of Mathern (original name unknown) was called Merthyr Tewdrig (or Mathern in English) from that point onwards; the name means king’s resting place.

    Interestingly a stone coffin containing the bones of an adult male with broken ribs and a fractured skull was unearthed during seventeenth century renovations at Saint Tewdric’s. Bishop Francis Godwin of Llandaff removed the remains for reburial.

    Remains of the shed at St Tewdrics

    The Archway

    As fanciful as it may be to believe the archway that stands in Saint Tewdric’s graveyard is the remains of the original church, I’m sad to say this isn’t the case. The romantic in me would like it to be, but in fact it’s the sole remaining part of a stone-built church wardens shed!

  • Even More Marriott Edgar


    The Battle of Hastings
    By Marriott Edgar

    I'll tell of the Battle of Hastings,
    As happened in days long gone by,
    When Duke William became King of England,
    And 'Arold got shot in the eye.

    It were this way - one day in October
    The Duke, who were always a toff
    Having no battles on at the moment,
    Had given his lads a day off.

    They'd all taken boats to go fishing,
    When some chap in t' Conqueror's ear
    Said 'Let's go and put breeze up the Saxons;'
    Said Bill - 'By gum, that's an idea.'

    Then turning around to his soldiers,
    He lifted his big Norman voice,
    Shouting - 'Hands up who's coming to England.'
    That was swank 'cos they hadn't no choice.

    They started away about tea-time -
    The sea was so calm and so still,
    And at quarter to ten the next morning
    They arrived at a place called Bexhill.

    King 'Arold came up as they landed -
    His face full of venom and 'ate -
    He said 'lf you've come for Regatta
    You've got here just six weeks too late.'

    At this William rose, cool but 'aughty,
    And said 'Give us none of your cheek;
    You'd best have your throne re-upholstered,
    I'll be wanting to use it next week.'

    When 'Arold heard this 'ere defiance,
    With rage he turned purple and blue,
    And shouted some rude words in Saxon,
    To which William answered - 'And you.'

    'Twere a beautiful day for a battle;
    The Normans set off with a will,
    And when both sides was duly assembled,
    They tossed for the top of the hill.

    King 'Arold he won the advantage,
    On the hill-top he took up his stand,
    With his knaves and his cads all around him,
    On his 'orse with his 'awk in his 'and.

    The Normans had nowt in their favour,
    Their chance of a victory seemed small,
    For the slope of the field were against them,
    And the wind in their faces an' all.

    The kick-off were sharp at two-thirty,
    And soon as the whistle had went
    Both sides started banging each other
    'Til the swineherds could hear them in Kent.

    The Saxons had best line of forwards,
    Well armed both with buckler and sword -
    But the Normans had best combination,
    And when half-time came neither had scored.

    So the Duke called his cohorts together
    And said - 'Let's pretend that we're beat,
    Once we get Saxons down on the level
    We'll cut off their means of retreat.'

    So they ran - and the Saxons ran after,
    Just exactly as William had planned,
    Leaving 'Arold alone on the hill-top
    On his 'orse with his 'awk in his 'and.

    When the Conqueror saw what had happened,
    A bow and an arrow he drew;
    He went right up to 'Arold and shot him.
    He were off-side, but what could they do?

    The Normans turned round in a fury,
    And gave back both parry and thrust,
    Till the fight were all over bar shouting,
    And you couldn't see Saxons for dust.

    And after the battle were over
    They found 'Arold so stately and grand,
    Sitting there with an eye-full of arrow
    On his 'orse with his 'awk in his 'and.

  • Taking Better Pictures: Use Your Zoom

    Top tips for using the long end of your zoom creatively

    If you have a zoom lens ranging from wide-angle at one end to telephoto at the other, here are a few tips on using the long end of your zoom more effectively.

    • Telephoto lenses exaggerate the effects of camera shake, meaning you need to either make sure you set a high shutter speed, or use a tripod
    • If you have a 3x zoom the minimum safe shutter speed is around 125th of a second; a 6x zoom needs around 1/250th of a second
    • If you can't set the shutter speed manually use your camera's sports mode – or if light is low, change the sensitivity (ISO) setting to a higher figure
    • Depth of field is also much less at the long end of the zoom, so take care to check the focus is on the main subject before taking the picture
    • Telephotos are traditionally associated with sports and wildlife photography, but they are much more versatile than you might think
    • The long end of a 3x zoom is perfect for flattering portraits, and for filling the frame with your subject's face
    • Use the telephoto setting to pick out details in a scene or smaller objects in the distance
    • Take a look at the examples below for how you can use a long telephoto creatively, and remember – just because you are shooting a scene doesn't mean you have to use a wide-angle lens

    clock face

    Use the long end of your zoom to pick out detail in buildings

    log-1 log-2

    The same subject shot twice, using a zoom set to 50mm ('Natural Eye' view) and 105mm to get closer to the subject.

    head

    The long end of your zoom can be great for taking portraits - experiment a little

  • Autumn Days

    The golden glow of embers burning
    Shadows cast upon the ground,
    Your body stirs to feel my yearning
    Growing from my restless loins.

    The beauty of Autumnal days
    Fresh within our joint mind’s eye,
    Helps us as we reach for ways
    To exercise our deep desire.

    Gently, first I push upon you
    Softly kissing tender flesh,
    Then ever firmer, looking for new
    Ways to tease and please my loving Wench.

    Lust, that ever present passion
    Forces us to higher plains,
    We search in our own sweet fashion
    For perfection in entangled limbs.

    And as the climax of our loving
    Saturates your inmost cleft,
    We disengage to hold, still caring,
    Clinging to each other’s breast.

    The shadows, dancing, moving still
    Help to pass the moment by,
    Breathing deep our nostrils fill
    With scents of love and Autumn days.

  • The Lion and Albert


    The Lioin And Albert
    By Marriott Edgar

    There's a famous seaside place called Blackpool,
    That's noted for fresh-air and fun,
    And Mr and Mrs Ramsbottom
    Went there with young Albert, their son.

    A grand little lad was their Albert
    All dressed in his best; quite a swell
    'E'd a stick with an 'orse's 'ead 'andle
    The finest that Woolworth's could sell.

    They didn't think much to the ocean
    The waves, they was fiddlin' and small
    There was no wrecks... nobody drownded
    'Fact, nothing to laugh at, at all.

    So, seeking for further amusement
    They paid and went into the zoo
    Where they'd lions and tigers and cam-els
    And old ale and sandwiches too.

    There were one great big lion called Wallace
    His nose were all covered with scars
    He lay in a som-no-lent posture
    With the side of his face to the bars.

    Now Albert had heard about lions
    How they were ferocious and wild
    And to see Wallace lying so peaceful
    Well... it didn't seem right to the child.

    So straight 'way the brave little feller
    Not showing a morsel of fear
    Took 'is stick with the'orse's 'ead 'andle
    And pushed it in Wallace's ear!

    You could see that the lion didn't like it
    For giving a kind of a roll
    He pulled Albert inside the cage with 'im
    And swallowed the little lad... whole!

    Then Pa, who had seen the occurrence
    And didn't know what to do next
    Said, "Mother! Yon lions 'et Albert"
    And Mother said "Eeh, I am vexed!"

    So Mr and Mrs Ramsbottom
    Quite rightly, when all's said and done
    Complained to the Animal Keeper
    That the lion had eaten their son.

    The keeper was quite nice about it
    He said, "What a nasty mishap
    Are you sure that it's your lad he's eaten?"
    Pa said, "Am I sure? There's his cap!"

    So the manager had to be sent for
    He came and he said, "What's to do?"
    Pa said, "Yon lion's 'eaten our Albert
    And 'im in his Sunday clothes, too."

    Then Mother said, "Right's right, young feller
    I think it's a shame and a sin
    For a lion to go and eat Albert
    And after we've paid to come in!"

    The manager wanted no trouble
    He took out his purse right away
    And said, "How much to settle the matter?"
    And Pa said "What do you usually pay?"

    But Mother had turned a bit awkward
    When she thought where her Albert had gone
    She said, "No! someone's got to be summonsed"
    So that were decided upon.

    Round they went to the Police Station
    In front of a Magistrate chap
    They told 'im what happened to Albert
    And proved it by showing his cap.

    The Magistrate gave his o-pinion
    That no-one was really to blame
    He said that he hoped the Ramsbottoms
    Would have further sons to their name.

    At that Mother got proper blazing
    "And thank you, sir, kindly," said she
    "What waste all our lives raising children
    To feed ruddy lions? Not me!"

  • More Marriott Edgar

    The Magna Charter
    by Marriott Edgar

    I'll tell of the Magna Charter
    As were signed at the Barons' command
    On Runningmead Island in t' middle of t' Thames
    By King John, as were known as "Lack Land."

    Some say it were wrong of the Barons
    Their will on the King so to thrust,
    But you'll see if you look at both sides of the case
    That they had to do something, or bust.

    For John, from the moment they crowned him,
    Started acting so cunning and sly,
    Being King, of course, he couldn't do any wrong,
    But, by gum, he'd a proper good try.

    He squandered the ratepayers' money,
    All their cattle and corn did he take,
    'Til there wasn't a morsel of bread in the land,
    And folk had to manage on cake.

    The way he behaved to young Arthur
    Went to show as his feelings was bad;
    He tried to get Hubert to poke out his eyes,
    Which is no way to treat a young lad.

    It were all right him being a tyrant
    To vassals and folks of that class,
    But he tried on his tricks with the Barons an' all,
    And that's where he made a 'faux pas'.

    He started bombarding their castles,
    And burning them over their head,
    'Til there wasn't enough castles left to go round,
    And they had to sleep six in a bed.

    So they went to the King in a body,
    And their spokesman, Fitzwalter by name,
    He opened the 'ole in his 'elmet and said,
    Conciliatory like, " What's the game?"

    The King starts to shilly and shally,
    He sits and he haws and he hums,
    'Til the Barons in rage started gnashing their teeth,
    And them with no teeth gnashed their gums

    Said Fitz, through the 'ole in his 'elmet,
    "It was you as put us in this plight."
    And the King having nothing to say to this
    Murmured " Leave your address and I'll write".

    This angered the gallant Fitzwalter;
    He stamped on the floor with his foot,
    And were starting to give John a rare ticking off,
    When the 'ole in his 'elmet fell shut.
    "We'll get him a Magna Charter,"
    Said Fitz when his face he had freed;
    Said the Barons "That's right and if one's not enough,
    Get a couple and happen they'll breed.''

    So they set about making a Charter,
    When at finish they'd got it drawn up,
    It looked like a paper on cattle disease,
    Or the entries for t' Waterloo Cup.

    Next day, King John, all unsuspecting,
    And having the afternoon free,
    To Runningmead Island had taken a boat,
    And were having some shrimps for his tea

    He had just pulled the 'ead off a big 'un,
    And were pinching its tail with his thumb,
    When up came a barge load of Barons, who said,
    "We thought you'd be here so we've come"

    When they told him they'd brought Magna Charter,
    The King seemed to go kind of limp,
    But minding his manners he took off his hat
    And said " Thanks very much, have a shrimp."

    " You'd best sign at once," said Fitzwalter,
    " If you don't, I'll tell thee for a start
    The next coronation will happen quite soon,
    And you won't be there to take part."

    So they spread Charter out on t' tea table,
    And John signed his name like a lamb,
    His writing in places was sticky and thick
    Through dipping his pen in the jam.

    And it's through that there Magna Charter,
    As were signed by the Barons of old,
    That in England to-day we can do what we like,
    So long as we do what we're told.

  • The Wonderful Marriott Edgar

    If, like me, you grew up enthralled by stories of Albert and Wallace the lion, you'll love this:


    Gunner Joe
    by Marriott Edgar

    I'll tell you a seafaring story,
    Of a lad who won honour and fame
    Wi' Nelson at Battle 'Trafalgar,
    Joe Moggeridge, that were his name.

    He were one of the crew of the Victory,
    His job when a battle begun
    Was to take cannon balls out o' basket
    And shove 'em down front end o' gun.

    One day him and Nelson were boxing,
    The compass, like sailor lads do.
    When 'Ardy comes up wi' a spyglass,
    And pointing, says "'Ere, take a screw!"

    They looked to were 'Ardy were pointing,
    And saw lots o' ships in a row.
    Joe says abrupt like but respectful,
    "'Oratio lad, yon's the foe."

    'What say we attack 'em?' says Nelson,
    Says Joe 'Nay lad, not today.'
    And 'Ardy says, 'Aye, well let's toss up.'
    'Oratio answers 'Okay.'

    They tossed... it were heads for attacking,
    And tails for t'other way 'bout.
    Joe lent them his two-headed penny,
    So the answer was never in doubt.

    When penny came down 'ead side uppards,
    They was in for a do it were plain,
    And Joe murmered 'Shiver me timbers.'
    And Nelson kissed 'Ardy again.

    And then, taking flags out o' locker,
    'E strung out a message on high.
    'T were all about England and duty,
    Crew thought they was 'ung out to dry.

    They got the guns ready for action,
    And that gave 'em trouble enough.
    They 'adn't been fired all the summer,
    And touch-holes were bunged up wi' fluff.

    Joe's cannon, it weren't 'alf a corker,
    The cannon balls went three foot round.
    They wasn't no toy balloons either,
    They weighed close on sixty-five pound.

    Joe, selecting two of the largest,
    Was going to load double for luck.
    When a hot shot came in thro' the porthole,
    And a gunpowder barrel got struck.

    By gum! there weren't 'alf an explosion,
    The gun crew were filled with alarm.
    As out of the porthole went Joseph,
    Wi' a cannon ball under each arm.

    At that moment up came the 'Boat-swine'
    He says 'Where's Joe?' Gunner replied...
    'E's taken two cannon balls with 'im,
    And gone for a breather outside.'

    'Do y' think he'll be long?' said the 'Boat-swine'
    The gunner replied, 'If as 'ow,
    'E comes back as quick as 'e left us,
    'E should be 'ere any time now.

    And all this time Joe, treading water,
    Was trying 'is 'ardest to float.
    'E shouted thro' turmoil of battle,
    'Tell someone to lower a boat.'

    'E'd come to the top for assistance,
    Then down to the bottom he'd go;
    This up and down kind of existence,
    Made everyone laugh... except Joe.

    At last 'e could stand it no longer,
    And next time 'e came to the top.
    'E said 'If you don't come and save me,
    I'll let these 'ere cannon balls drop.'

    'T were Nelson at finish who saved him,
    And 'e said Joe deserved the V.C.
    But finding 'e 'adn't one 'andy,
    'E gave Joe an egg for 'is tea.

    And after the battle was over,
    And vessel was safely in dock.
    The sailors all saved up their coupons,
    And bought Joe a nice marble clock.

  • Shades of Grey

    Has morning really started?
    Are we at the break of Day?
    The shades of night abound it seems, but wait
    Not black, they’re shades of grey.

    This dawning brings new hope for me,
    A rebirth for us all;
    It’s time to start afresh my friend,
    Before darkness once more falls.

    Reach out and grab the daylight,
    Enslave it, make it fast.
    Hold it close to hide Night’s fears
    And pray that it will last.

    The darkness brings the demons;
    It’s easier in the day
    To see the road ahead my friend
    In light, or shades of grey.

    So is it morning? Can I rise
    And leave this lonely bed?
    Are daylight’s shades outside my world?
    Or merely in my head?

  • Take Advantage of Seasonal Change

    I always know when Spring has really arrived because the local farmers plant their fields with Rape. Green, stalky weed like things sprout from the ground and I can tell reasonably accurately when the seasons will change. Not only does this seeding offer up a pungent aroma, the resultant colours can be quite spectacular.

    Field Planted With Rape

    The Colour of Early Summer

    In my neck of the woods the Spring planting means the rape will be in bloom during the first weeks of early Summer. Get to know your local environment, it’s a constantly changing subject, and take advantage of the seasonal colour changes to document it photographically.

  • Consider The Light

    By this, I don't mean look into the sun – no indeed, that won't do at all. But it is good to see what kind of light you are working with. Which way are the shadows falling?

    Unless you want a silhouette effect, where your subject is black against an interesting background, it's generally best to shoot with the sun (or other light-source) behind you; unless you're working in a studio of course.

    Factors to consider:

    • How is the light affecting your subject? Is the subject squinting?
    • Is the light blazing directly and brightly upon your whole subject? This works well if you are in love with the bold colors of your subject.
    • Side lighting, on the other hand, can add drama but can also cause extreme, hard-to-print contrasts.
    • Lastly, indirect light can be used to make your subject glow soft and pretty, so look for diffused lighting for the best portrait results.

    It may not seem like much, but taking a few moments and thinking about the lighting can make a big difference to your results.

  • Taking Better Pictures: Sharpness

    Camera shake is the main cause of blurred pictures. Take simple steps to avoid it.

    Almost every picture will be sharper if you use a tripod. However if this isn't possible follow these simple rules.

    1. If you can control shutter speeds on your camera, always set one which is 1/60 second or faster.
    2. With telephoto lenses you need to use faster speeds as they magnify the subject (and any movements you make.)
    3. If you have a lens with focal length around 100mm, use 1/125 or shorter unless you use a tripod.
    4. If your lens is around 200mm, use 1/250 or shorter - or a tripod.
    5. For other focal lengths, rely on the rule that you should use speeds faster than 1/focal length.
    6. Stand still, legs slightly apart to take your pictures. If possible, lean against something firm to steady yourself. Supporting the lens on anything solid is a great idea - though make sure you don't pick up vibrations.
    7. Hold your elbows in firmly against your chest.
    8. Hold your camera firmly against your forehead.
    9. Take a breath, not too deep, and then hold it until you have taken the picture.
    10. Squeeze the release smoothly - don't stab at it.

    Tips:

    • You will be able to use faster shutter speeds if you open the lens aperture more. Consider using monopod, tripod and other similar devices.
    • In poor light conditions increase the ISO/ASA rating of your digital camera, or use a faster film in traditional cameras.
    • It is possible to use slower speeds than 1/60 with wide-angle lenses, but you are very likely to get subject movement with living subjects.

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