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Posts archive for: 22 September, 2007
  • Gray's Elegy; a real classic

    The poem that inspired my photographs of the church-yard in Chepstow and reproduced here for Lonemum and anyone else interested enough to read it. :)

    "Elegy Written In A Country Church-yard"

    The curfew tolls the knell of parting day,
    The lowing herd winds slowly o'er the lea,
    The ploughman homeward plods his weary way,
    And leaves the world to darkness and to me.

    Now fades the glimmering landscape on the sight,
    And all the air a solemn stillness holds,
    Save where the beetle wheels his droning flight,
    And drowsy tinklings lull the distant folds:

    Save that from yonder ivy-mantled tower
    The moping owl does to the moon complain
    Of such as, wandering near her secret bower,
    Molest her ancient solitary reign.

    Beneath those rugged elms, that yew-tree's shade,
    Where heaves the turf in many a mouldering heap,
    Each in his narrow cell for ever laid,
    The rude Forefathers of the hamlet sleep.

    The breezy call of incense-breathing morn,
    The swallow twittering from the straw-built shed,
    The cock's shrill clarion, or the echoing horn,
    No more shall rouse them from their lowly bed.

    For them no more the blazing hearth shall burn,
    Or busy housewife ply her evening care:
    No children run to lisp their sire's return,
    Or climb his knees the envied kiss to share,

    Oft did the harvest to their sickle yield,
    Their furrow oft the stubborn glebe has broke;
    How jocund did they drive their team afield!
    How bow'd the woods beneath their sturdy stroke!

    Let not Ambition mock their useful toil,
    Their homely joys, and destiny obscure;
    Nor Grandeur hear with a disdainful smile
    The short and simple annals of the Poor.

    The boast of heraldry, the pomp of power,
    And all that beauty, all that wealth e'er gave,
    Awaits alike th' inevitable hour:-
    The paths of glory lead but to the grave.

    Nor you, ye Proud, impute to these the fault
    If Memory o'er their tomb no trophies raise,
    Where through the long-drawn aisle and fretted vault
    The pealing anthem swells the note of praise.

    Can storied urn or animated bust
    Back to its mansion call the fleeting breath?
    Can Honour's voice provoke the silent dust,
    Or Flattery soothe the dull cold ear of Death?

    Perhaps in this neglected spot is laid
    Some heart once pregnant with celestial fire;
    Hands, that the rod of empire might have sway'd,
    Or waked to ecstasy the living lyre:

    But Knowledge to their eyes her ample page,
    Rich with the spoils of time, did ne'er unroll;
    Chill Penury repress'd their noble rage,
    And froze the genial current of the soul.

    Full many a gem of purest ray serene
    The dark unfathom'd caves of ocean bear:
    Full many a flower is born to blush unseen,
    And waste its sweetness on the desert air.

    Some village-Hampden, that with dauntless breast
    The little tyrant of his fields withstood,
    Some mute inglorious Milton here may rest,
    Some Cromwell, guiltless of his country's blood.

    Th' applause of list'ning senates to command,
    The threats of pain and ruin to despise,
    To scatter plenty o'er a smiling land,
    And read their history in a nation's eyes,

    Their lot forbad: nor circumscribed alone
    Their growing virtues, but their crimes confined;
    Forbad to wade through slaughter to a throne,
    And shut the gates of mercy on mankind,

    The struggling pangs of conscious truth to hide,
    To quench the blushes of ingenuous shame,
    Or heap the shrine of Luxury and Pride
    With incense kindled at the Muse's flame.

    Far from the madding crowd's ignoble strife,
    Their sober wishes never learn'd to stray;
    Along the cool sequester'd vale of life
    They kept the noiseless tenour of their way.

    Yet e'en these bones from insult to protect
    Some frail memorial still erected nigh,
    With uncouth rhymes and shapeless sculpture deck'd,
    Implores the passing tribute of a sigh.

    Their name, their years, spelt by th' unletter'd Muse,
    The place of fame and elegy supply:
    And many a holy text around she strews,
    That teach the rustic moralist to die.

    For who, to dumb forgetfulness a prey,
    This pleasing anxious being e'er resign'd,
    Left the warm precincts of the cheerful day,
    Nor cast one longing lingering look behind?

    On some fond breast the parting soul relies,
    Some pious drops the closing eye requires;
    E'en from the tomb the voice of Nature cries,
    E'en in our ashes live their wonted fires.

    For thee, who, mindful of th' unhonour'd dead,
    Dost in these lines their artless tale relate;
    If chance, by lonely contemplation led,
    Some kindred spirit shall inquire thy fate, --

    Haply some hoary-headed swain may say,
    "Oft have we seen him at the peep of dawn
    Brushing with hasty steps the dews away,
    To meet the sun upon the upland lawn;

    "There at the foot of yonder nodding beech
    That wreathes its old fantastic roots so high.
    His listless length at noontide would he stretch,
    And pore upon the brook that babbles by.

    "Hard by yon wood, now smiling as in scorn,
    Muttering his wayward fancies he would rove;
    Now drooping, woeful wan, like one forlorn,
    Or crazed with care, or cross'd in hopeless love.

    "One morn I miss'd him on the custom'd hill,
    Along the heath, and near his favourite tree;
    Another came; nor yet beside the rill,
    Nor up the lawn, nor at the wood was he;

    "The next with dirges due in sad array
    Slow through the church-way path we saw him borne,-
    Approach and read (for thou canst read) the lay
    Graved on the stone beneath yon aged thorn."

    The Epitaph
    Here rests his head upon the lap of Earth
    A youth to Fortune and to Fame unknown.
    Fair Science frowned not on his humble birth,
    And Melacholy marked him for her own.

    Large was his bounty, and his soul sincere,
    Heaven did a recompense as largely send:
    He gave to Misery all he had, a tear,
    He gained from Heaven ('twas all he wish'd) a friend.

    No farther seek his merits to disclose,
    Or draw his frailties from their dread abode
    (There they alike in trembling hope repose),
    The bosom of his Father and his God.

    By Thomas Gray (1716-71)

  • Old Chepstow River Bridge

    I've blogged about Chepstow bridge previously, but thought I'd give it another go with a little more detail on this occasion. :yes:

    The Normans built a bridge over the River Wye at Chepstow in the 13th century and wooden bridges spanned the river up until the beginning of the last century when the present iron bridge was built.

    Chepstow magistrates, who inspected the wooden bridge in 1810, decided that it was "in decay" and asked for estimates to patch it up. John Rennie, the engineer who built Waterloo Bridge in London, submitted a report relating to the repair of the bridge, but recommended replacement rather than repair and put the cost of a new bridge at £41,890. This that was considered too expensive. No further action took place until an accident caused damage to the bridge and the loss of six lives.

    The contract for the bridge was let on 14th June, 1814, at an estimated cost of £17,150: the figure eventually rose to almost £20,000, but was still half the cost of John Rennie's 1810 estimate. The bridge was made of cast iron, the total length being 372 feet (113m) with the span of the centre arch being 112 feet (34m).

    The new iron bridge was built by John Rastrick of the Bridgenorth (Shropshire) firm of Hazeldine, Rastrick & Brodie. The design has been credited to Rennie, but Rastrick is understood to have produced a much more elegant version of the plans that Rennie submitted for the repair of the old bridge.

    The bridge was opened on Wednesday, 24th July, 1816, with an elaborate form of ceremony: "Company to assemble in the Square at One o'clock. The Procession. A pair of Colours. Engineer and Surveyor. Workmen in Divisions according to their order, walking two and two. A Pair of Colours. Band of Music. Solicitor. Magistrates walking abreast Seniors in the Centre. Gentlemen, Farmers, Tradesmen, and others who may chuse to join the Precession walking two and two".

    And here it is...

    DSC_1179

    Chepstow Road Bridge

    ...unfortunately I wasn't available to photograph the procession in 1816. :no:

  • Domination

    No matter what has been built around it, in brick, stone, steel or timber, the overbearing presence in Chepstow is the castle built by William fitzOzbern in 1067.

    The castle wasn't built all in one go of course, construction taking place over several centuries until the final modifications in the Tudor period.

    There's no doubt in my mind though, Chepstow castle represents complete and total domination of the surrounding area.

    DSC_1159

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